Inshallah (1950s)
The film presents a philosophical dialogue between two characters discussing the implications of man’s creations versus God’s creations. The kite symbolizes human achievements, flying higher than birds but being tethered and dependent on its creator. One character argues that society should recognize God, while the other advocates for a godless state, believing in progress through change. The story of Nasr-ed-din Hojaillustrates the importance of humility and faith in God, contrasting the fleeting nature of man’s constructs with the enduring presence of divine wisdom.
Keywords
kite, nature, God, society, progress, Nasr-ed-din Hoja, faith, philosophy, dialogue, human achievement
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